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Marta Pérez García Sculpture

The Phillips Collection, Marta Pérez García's, In Restos-Traces, the torsos are clustered together and paired with two works from the Phillips's permanent collection: Francis Bacon's Study of a Figure in a Landscape (1952)—an austere painting that emanates loss, anxiety, and frailness—and Annette Messager's Mes petites effigies (My Little Effigies) (1989-90), an installation.

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WASHINGTON, DC— Restos-Traces, the 31st project of The Phillips Collection's ongoing Intersections contemporary art series, features Puerto Rican, DC-based artist Marta Pérez García, whose art poetically explores a wide range of human conditions, from fragility and vulnerability to strength and survival.

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Free. No reservations required. Proof of vaccination and masks required. Join artist Marta Pérez García and Cross-departmental Director of Contemporary Art Initiatives and Partnerships Vesela Sretenović for a conversation about Pérez García's Intersections project, Restos-Traces.

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Marta Pérez-García is originally from Arecibo (PR), she was trained as a printmaker at the Tyler School of Arts - Temple University (MFA). Ms. Perez-Garcia is recognized in Puerto Rico for her color woodcuts where she won a number of awards such as the grand prize at the XIII San Juan Biennial of Latin American and Caribbean Print in 2001, and where she exhibits in museums on a regular basis.

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Artista: Marta Pérez García Título: Nameless Año: 2021 Soporte: papel de abacá hecho a mano. Learn More. Share. Add to Calendar 20221019 America/New_York Anne Arundel Coomunity College, 101 College Parkway Arnold MD 21012 Rotura-Rupture: A Solo Exhibition by Marta Pérez García. About us. Our Story;

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April 15, 2022 at 8:00 a.m. EDT An installation view of "Restos-Traces" by Marta Pérez García at the Phillips Collection. On the far wall is Francis Bacon's "Study of a Figure in a Landscape".

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Marta Pérez García (Arecibo, PR, 1965) Graphic artist, draftsman, and painter. In 1987 she completed her Bachelor of Fine Arts at Louisiana State University, and in 1993 a Master of Fine Arts from the Tyler School of Arts in Philadelphia, in addition to taking courses at the University of West Virginia, where she was assistant professor of.

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MARTA Pérez-García is originally from Arecibo (PR), she was trained as a printmaker at the Tyler School of Arts - Temple University (MFA). Ms. Perez-Garcia is recognized in Puerto Rico for her color woodcuts where she won a number of awards such as the grand prize at the XIII San Juan Biennial of Latin American and Caribbean Print in 2001, and where she exhibits in museums on a regular basis.

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Martha Pérez García See Photos Marta García Pérez See Photos Marta Beatriz Pérez García See Photos View the profiles of people named Marta García Pérez. Join Facebook to connect with Marta García Pérez and others you may know. Facebook gives people the.

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Marta Pérez García, Your Hand, 2020, Molded cotton handmade paper and stitching with yarn, 19 × 11 × 2 in., Courtesy of the artist Tu mano Tu mano,/ La misma que una vez me acaricio / Ahora me arrebato la vida. Your Hand Your Hand,/ The very one that once caressed me / Has now taken my life.

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Marta Pérez García's art explores in a poetic way a wide range of human conditions, from fragility and vulnerability to strength and survival. Her recent work, created during the COVID-19 pandemic, addresses the troubling yet rarely discussed increase in domestic violence due to stay-at-home orders, especially toward women and children.

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Marta Pérez García has a BFA from Louisiana State University and an MFA from Tyler School of Art and Architecture at Temple University, Philadelphia. Her work explores the chaotic aspects of the human condition.

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Marta Pérez García. Marta Pérez García Your Hand (2020) Marta Pérez García Nameless 30 (2022) Marta Pérez García Nameless 7 (2022) Phillips@THEARC; Blog; Press; Rentals; Contact Us; Opportunities; Sign-up for e-news; Donate now ©2023 The Phillips Collection, 1600 21st Street, NW, Washington, DC.

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In Restos-Traces, the Puerto Rican Washington, DC-based artist Marta Pérez García raises specters, figuratively and formally constellating creative cycles under thematic auspices of personal and political endurance, and disrupting the definition of remains or ruins (restos).The exhibition addresses perceptual doubt in the face of an unaccountable authority and—as its macaronic Spanish.

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In the Restos-Traces exhibition at the Phillips Collection, Marta Pérez García explores the theme of domestic violence against women and children during the COVID-19 pandemic. Housed in a single gallery, the exhibition consists of a set of female torsos modeled after mannequins. Created from handmade paper with deft overlays of wire, nails.