Kate Bush Pays Tribute After Death Of MuchLoved Bassist John Giblin

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John Giblin, a Scottish musician, passed away on Sunday, May 14, 2023. He died at the age of 71 in Cheltenham. In 1979, John collaborated with Kate on Peter Gabriel's song "No Self Control." Gazebo posted this sad news on Facebook in the following statement,

Kate Bush Pays Tribute After Death Of MuchLoved Bassist John Giblin

John Giblin, who worked with artists like Kate Bush and Peter Gabriel, has died after an illness. He was 71 years old. The news was shared by producer Robert M. Corich on Facebook. "John passed away yesterday in Cheltenham after battling illness," they wrote.

April (John Giblin) YouTube

Bass Player Kate Bush on John Giblin: "We've all lost a great man and an unmatchable musician" By Nick Wells ( Bass Player ) published 18 May 2023 Kate Bush, Peter Gabriel, Guy Pratt and many more pay tribute to bassist John Giblin (Image credit: Photo by © Hulton-Deutsch Collection/CORBIS/Corbis via Getty Images & Pete Still/Redferns)

Goodbye, John Giblin

About John. John W. Giblin Jr. concentrates on estate planning, business succession planning, and the management of large and complex estates with assets nationwide and in foreign countries. His clients include closely held business owners, real estate developers and investment bankers.

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John Giblin, a famed bassist who worked with musicians like Kate Bush and Peter Gabriel, has died. He was 71. Osibisa, the band he recently worked with, confirmed the saddening news through a.

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16th May 2023 Kate Bush and John Giblin perform live. CREDIT: Getty Kate Bush has shared an emotional tribute to her former bassist John Giblin, who has died at the age of 71. The.

Simple Minds former bassist John Giblin goes bust after it's revealed

John Giblin - a celebrated bassist and session musician who worked with some of the most influential figures in contemporary music - died this week, aged 71.

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Meet John & Jane Giblin. June 21, 2018.. John proudly shows off the swing set in his backyard, another form of entertainment for his beloved grandchildren, which include two sets of twins, 11-year-olds Arthur and Nate, and Brooke and Sandy, who are eight. There's also Emily and Sydney, who are six and five, respectively.

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Remembering bassist John Giblin. By Seán. On 16 May 2023. In Kate Bush news. Many were shocked and saddened to hear that the great bass player, John Giblin, a longstanding member of Kate's musical "family" and ultimately her KT Fellowship, has sadly died on Sunday in Cheltenham, aged 71. John's extensive work with Kate started as far.

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Bass player John Giblin is truly a remarkably bassist with an remarkable career! He is a Scotsman with an incredible list of artists he has worked with. So h.

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This page is dedicated to the bass collection of the late, great John Giblin, who left the bandstand far too early During a stellar career spanning decades, John played bass for the likes of Kate Bush, Phil Collins, Sting, Simple Minds, Annie Lennox and many more, contributing bass lines to tracks such as Babooshka by

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In-demand and much-loved Scottish bassist John Giblin died on Sunday (14) in Cheltenham, Gloucestershire, at the age of 71. The news was shared on Facebook by the band Osibisa, with whom he.

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Born in Bellshill Scotland, John stated paying in local band in his early teens and never looked back after migrating to London in 1970. An early adopter of the fretless bass, Giblin was a dexterous player, rending pocket grooves, and countermelodies to enrich countless hits and album tracks.

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John Giblin (26 February 1952 - 14 May 2023) was a Scottish musician who worked as an acoustic and electric bass player spanning jazz, classical, rock, folk, and avant-garde music . Career

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There are musicians who belong to the class of their own, and John Giblin, who passed away on May 14th at the age of 71, was one of those.

John GIBLIN Ph.D. Archaeology National Museums Scotland, Edinburgh

John Giblin was initially hired to play on the Never for Ever album (1980) to contribute fretless bass on two tracks - "Babooshka" and "Dreaming". Fretless bass became a common feature of Bush's work in this period and it has been suggested that it was chosen to create an instrumental 'male voice' to contrast with her own.